Back to School

Many years ago I trained as a Secondary School teacher. It seemed at the time like the best option to make full use of my university degree in History and English. I completed the one-year course, during which I taught in three different schools, and graduated with a Diploma of Teaching.

The problem was that after graduation there was a shortage of jobs in teaching. I could count the list of vacancies on one hand. The only use I made of my DipTch qualification was to do some short-term, private tutition work, helping students prep for their exams. Eventually I moved into other work, and left teaching behind.

My teacher training never seemed like a wasted year of my life; as a manager of a number of staff in three different companies, I've found that many of the basic principles of classroom teaching have served me well. My teacher training gave me the skills to be an effective communicator, to keep people on task, to plan effectively.

Much as I enjoy writing, it's not lucrative enough to sustain me financially, so I've been giving so thought about what I want to do next. Preferably something that leaves me with enough time to continue writing part-time.

So I've been thinking about relieving teaching. My DipTch is still recognised; I just need to do a retaining course to get back up to speed and get registered.

I started looking into this last week and learned that the goverment funds free courses for returning teachers, to encourage people like myself to get back into the profession.

TeachNZ, the teacher recruitment unit of the Ministry of Education, pointed me in the direction of my old alma mater, the University of Auckland. When I finally got through to the right person (which was a mission in itself), I learned that there is indeed a retraining course coming up, but there's some doubt over whether it will take place as the course has not received any funding.

If the funding doesn't come though, the course won't take place. Without this course I cannot register and I cannot teach.

Meanwhile in the newspapers and on the television we're told that the goverment is pouring millions into job creation schemes. How about putting some of that money into teacher training...?

Making Progress

I've reached an important milestone in the writing of The Comic Strip Companion.

As of tonight, I’ve finished the last of the chapters dealing with all of the Doctor Who comic strip stories originated in TV Comic, Countdown and TV Action magazines from 1964 to 1979, which is the period covered by this volume. I've so far written 159,311 words. I've written individual entries for 166 different comic strip stories or, to put it another way, 1,601 comic strip pages - and that's not counting all of the various reprints which I've also covered.

Most of the book is now written - but there's still more to be done.

There are other comic strips published during this period that, although they are not considered part of the regular series, it would be remiss of me not to cover them in the book. These include the strips that appeared in: the Doctor Who Annuals; the Dalek Annuals; the three 1960s Dalek books; The Daleks strips from TV Century 21 comic; and the American comic adaptation of the first Dalek movie. This material amounts to an additional 56 stories, which might sound like a lot but many of these stories are significantly shorter than the ones I've already covered. This extra material will form supplementary chapters located at the rear of the book.

I've also got some recently discovered archival material that I need to find places to write about in the chapters I've already written. This previously unseen material casts new light on the origins of the Doctor Who strip and provides additional insight into the development of a number of the early strips. The documents also include three story proposals which were never published. This information has never been published elsewhere and will undoubtedly be of great interest.

I need to devote some time as well to revisiting some of what I’ve already written. I started work on the book nearly two years ago and over that time I've gradually tweaked the format and style as I’ve progressed through the chapters. I need to revisit the earliest sections I wrote and do some revising so that the whole book ends up with a readable, consistent format and style.

Right now though, I feel a sense of achievement in having written all fourteen chapters that form the main body of the book. There’s a way to go before I’m done, but now it feels like the end is on the horizon.

Going Down in History

I'm concentrating most of my time on writing my book (latest word count: 152,000 words or thereabouts), which is why I haven't blogged in the last month.

I do however want to take a moment to mention the lovely surprise I received on opening the latest issue of Doctor Who Magazine (#405) today. Editor Tom Spilsbury's 'On this Month' column (which takes a nostalgic look at a past issue) casts an eye over issue 275 from ten years ago, and covers the article I wrote for that issue (one of my first professional writing commissions), about the return of The Lion. I wasn't expecting this, so it was a delightful to see that Tom namechecked both myself and Neil Lambess, and even quotes Neil on his likening of the find to something out of Indiana Jones.

After all this time it's still a thrill to see myself and Neil remembered for our small contribution to Doctor Who history.

Here's the item:

The Eleventh Doctor

“Hello, Paul? It’s Ben from Radio Live here. I’ve just spotted the news about Doctor Who. I'm wondering if you would talk to Jemma on our show tomorrow morning about it.”

That was the phone call I received yesterday, and as a result at 6:55am this morning I was on air talking about Doctor Who. I couldn’t help thinking that, ten years on, history was repeating itself. When the news broke about the return of the missing episode in January 1999 I was hounded by the television radio and print media.

But Radio Live wasn't calling about a missing episode. The news was that the BBC had just announced the casting of the Eleventh Doctor. Even though I’d only discovered the identity of the actor myself less than an hour before that phone call, I agreed to the interview.

The casting of the Doctor had taken place in secrecy, as these things do, fuelling a media frenzy in the UK ever since 29 October 2008 when Tenth Doctor David Tennant publically announced his resignation live on television whilst accepting the National Television Award (for Outstanding Drama Performance). It’s a measure of just how massive Doctor Who is these days that speculation flooded the UK news media.

Fan discussion forums were just as busy, endlessly debating the merits of such supposed contenders as Paterson Joseph, David Morrissey, Chiwetel Ejiofor and James Nesbitt among many others. Billie Piper was even mooted as a strong contender, which seems absurd – not I hasten to add because of her gender, but because having been so strongly identified in the series as Rose Tyler, having her play the Doctor just simply would have been way too confusing.

Betting agencies soon got in on the act, with updated lists of their odds widely reported. It’s perhaps instructional to note for future casting speculation that they were well off the mark; the actor awarded the role didn’t even appear in Betfair’s top 20 picks, just hours before the announcement (which leads me to wonder if he was tempted to put a wager on himself; that could have been a nice little earner!).

The announcement was made on Doctor Who Confidential, a BBC television documentary screened in the UK on Saturday evening. I downloaded it Sunday morning while staying well clear of the rest of the internet, least I spoil it for myself. Rochelle and I then sat down and watched the special in the early afternoon, seeing for the first time Matt Smith, the man who will be the Eleventh Doctor.

At just twenty-six year old, Matt Smith is the youngest of the eleven Doctor actors, but only a few years younger than Peter Davison was when he accepted the part of the Fifth Doctor (he was 29). Apparently the producers were not particularly looking for a young man when they began the casting process, but the final decision to go with someone so youthful must surely have been guided by such factors as the ability to cope with the gruelling recording schedule (which could easily wear out an older actor); and also to appeal to the series’ huge audience of children (I’m sure Matt Smith will look more appealing on the covers of the Doctor Who Adventures magazine than, say, James Nesbitt).

I’m not familiar with any of Matt Smith's roles and didn’t recognise his face or his name (though as I’ve watched The Secret Diary of a Call Girl and part of Ruby in the Smoke – in both of which he starred opposite Billie Piper – I realise that I must have seen him before). I like the idea that the BBC has gone with a virtual unknown. I think some of the Doctors, and Peter Davison most of all, suffered from strong public association with prior roles (Davison was already well-known as veterinarian Tristan Farnon from All Creatures Great and Small).

I like the fact too that Matt Smith has very slightly unusual facial features, including a high forehead and a prominent chin. Looking a little bit odd ought to be a plus factor for the Doctor. Tom Baker for example had a rather distinctive appearance (bulging eyes, huge bushy hair, too many teeth) which all helped him to define the part as his own. In his interview he waggled his fingers very expressively while talking, which immediately struck me as very 'Doctorish', and something I'd be keen to see him carry over into his performance.

It’s likely to be a year and a half before we first get to see Matt Smith playing the Doctor on television, but I for one am looking forward to see what he does with the role in 2010.

The Lion's Roar

This morning I received a text message from my old friend Neil Lambess wishing me a happy tenth anniversary.

It was ten years ago today that Neil phoned me to ask if I'd meet him later that day.

That was, for me, the beginning of a whirlwind of events that earned us a place in Doctor Who history books. Neil had contacted Auckland film collector Bruce Grenville, who apparently had a missing Doctor Who episode 16mm film print in his possession. Bruce agreed that Neil and I could come around to his Grey Lynn flat and view it on the evening of Sunday 3 January 1999.

The missing episodes are the Doctor Who equivalent of the holy grail; film prints and videotapes junked and destroyed by the BBC in the 1960s and 1970s in the belief that no one would ever miss them. This was in the days before repeat screenings were commonplace and home video was unheard of.

Bruce had the first episode of a 1965 story called The Crusade. The individual episode was called The Lion. It was the only known surviving copy in existence.

My own contribution to the discovery was to negotiate for the loan of the film print. The BBC wanted to borrow it long enough to clean up the film and make copies. I communicated with the BBC's restoration team and persuaded the collector to loan the film. I was nervous that at any moment the negotiations could have fallen through, and I'll never forget the moment I walked back to my car with the film safely clutched under my arm.

For one evening I was in possession of perhaps what was - at that moment - the rarest, most coveted Doctor Who item in existence. Here's a photo of me taken that evening, clutching the film.


(It's a sign of the changing times that whilst those shelves behind me are still in the same position in my study, these days they're filled with DVDs rather than videotapes...)

I despatched the film to the BBC's Doctor Who restoration teamin London by secure FedEx courier the following morning.

These days, the episode can be viewed on the BBC DVD Lost in Time. In addition to the episode, the DVD contains an interview with myself, Neil and Bruce Grenville. Our contribution to Doctor Who is recorded for posterity.

A decade on from that historic find, Neil and I remain very proud of our achievement. Neil - thanks for the memories, my friend. Isn't it time we found another one?

The full story of the film's discovery can be read online here.

TSV 61

TSV 61 was added to the online archive earlier this month, eight years after its original publication in December 2000. This allowed the issue’s limited selection of festive content to once again appear seasonally relevant. Witness in particular the Karkus doing battle with a Cyber Santa; many years before the Cybermen got to appear in a televised Doctor Who Christmas story!

Alistair Hughes’ cover artwork is a superb pastiche of the film poster for Bill and Ted’s Excellent Adventure, and promotes the extensive coverage of the Prime television screenings of every complete Hartnell and Troughton story during 2000. I’m resisting calling them repeats since eight stories (The Keys of Marinus, The Aztecs, The Sensorites, The Web Planet, The Chase, The Gunfighters, The Dominators and The War Games), had never previously screened in New Zealand - and to date none of these have rescreened either. (How about it Prime - isn't it time for some fresh screenings of episodes made before 2005...?)

In the previous issue I put out a call to readers to write up their views having watched each of the stories on Prime. Vernon McCarthy and Gerald Joblin both sent in brief pieces, and Robert Boswell contributed the bulk of the issue’s coverage. Robert had written several pieces for TSV in the past, but as he was outside the regular pool of writers appearing in each and every issue, he brought a relatively fresh perspective to the subject. Robert did such a sterling job of critiquing the Sixties Prime stories that I invited him back to cover the 1970s stories for later issues.

The highlight of the issue though, and an item that continues to this day to attract much interest from readers, was the coverage of the Seven Keys to Doomsday play. The 1984 staging of this Doctor Who production in Porirua had been overlooked by fans for many years. It later transpired that several readers knew about the play and members of the Wellington Doctor Who club chapter had inherited props from the production, but I for one remained completely ignorant of its existence for sixteen years.

TSV’s intrepid investigative reporter Graham Howard discovered the facts about the play, tracking down and interviewing theatre director Brian Hudson. The interview arrived along with a stack of black and white photographs, photocopies of the programme booklet, newspaper clippings and adverts all related to the production. I was only able to use a limited selection of this material in the article (more of which appeared in a later issue when Graham interviewed actor Michael Sagar who played the Doctor in the play), but the addition of this issue to the online archive has meant that all of this material can at last be displayed for all to see.

In September 2000 a discussion thread about the play started on rec.arts.drwho. Alden Bates (who posted to the thread) recently linked to it in his blog and I was astonished to find a posting from myself on the thread. I have absolutely no recollection of writing that post (the memory’s obviously not what it once was), though I’ve no doubt it was me who wrote it. It’s obvious I think that when I posted that message I had no knowledge about the play’s existence, and my reply reads as if I’m sceptical about the veracity of the rumour. In hindsight this seems rather unintentionally rude towards Alden, who posted a couple of newspaper clippings as evidence that the play actually existed. I’m sorry, Alden - you were of course absolutely correct.

The timing of the rec.arts.drwho thread is intriguing, as Graham’s article about the play appeared in TSV just two months later. I don’t recall a late change to the content, but work on the issue must have been well under way at this point, implying that the play article was a relatively late addition to the line-up.

Elsewhere in the issue, the Disc-Continuity Guide column made its last appearance in print. At this point it was already in the process of transforming into a comprehensive online guide to the Big Finish audios. (The last update to the guide was in 2005.) It was also the end for regular book reviewer Brad Schmidt, who decided to call it quits following a two-year stint during which he wrote 46 book reviews, some of which were originally credited to ‘James Schmidt’. I initially shouldered the task of reviewing the books myself but struggled to find the time to read all of the new titles in time to review them on top of everything else I needed to do for the issue, so I was very grateful when Jamas Enright volunteered to take over as TSV’s regular book reviewer.

Read the issue here.

Fellow TSV 61 bloggers:
Alden Bates
Jamas Enright

120,000 words

As of tonight I've hit two targets in the writing of my book, The Comic Strip Companion.

I've just completed another chapter - that's eleven in total I've written now (another six to go before the book's finished). I've also just passed the 120,000 word mark. This is a significant personal milestone.

When I started writing the manuscript last year I estimated that the entire book would be 120,000 words long. The contract I signed with the publisher stipulated a 100,000 word minimum; I thought at the time that 20,000 words over this would be a comfortable margin.

It has long since become apparent to me that this was an hugely overly conservative estimate, and I now expect that the book will end up being somewhere around 185,000 words.

The process of writing the book has been governed by setting targets and planning ahead. I have mapped the book out on an Excel spreadsheet and I update this each day. My aim has been to write about at least one complete comic strip story each day, though of late my writing time has been reduced to three days a week due to other commitments.

I wanted to complete the latest chapter before taking a few days off over Christmas, and I've managed this with a few hours to spare; next week it'll be time to open another Word document and start work on another chapter, every day a step closer to completion!